Now I had an advanced twin-lens reflex, when I was fifteen years old and entranced with what I could do in photography. I was at our annual Halloween parade, and film was slow in those days. My Rollei’s lens was f3.5 and there was no way I could stop the action as the rider on an old-fashioned bicycle whizzed by. I did the only thing I could think of and panned with the action.
It was my first attempt at panning, and it added a new technique to my repertoire. It reinforced the learning process of practice and interpretation. And it early on taught me to get in there and react, not to overthink making an image “perfect.”
The past and the present are closer than we often realize, so I’m going back into the archives to see what I saw long ago. First up is this sampling of my documentary photography, a nostalgic collection of How Once We Looked. I’ve selected images that seem memorable, from the perspective of a life spent pursuing my passion. Here’s how the See-Saw collection now appears on Amazon:
Art should be everywhere – or so the gallery site Daylighted declares. As part of this tribute, Daylighted recently chose me as its featured artist of the month.
Daylighted is a service that places visual artist into non-traditional exhibition spaces such as hotels, restaurants, coffee shops and more. It seeks to “change the way you see art. Daylighted transforms places…into digital art galleries and offer[s] them an opportunity to easily display and sell an exclusive collection of art from worldwide and local artists.”
Daylighted featured my nostalgic photography, including the images in my updated monograph: “See Saw: How Once We Looked.”
These images reflect my overall fascination with movement as well as with light, that showed in the photographs I created in my early teens. I see that I developed reflexively and intuitively, in capturing the essence of a moment. I see that the innate compositional sense expanded into a style. And so on, all insights offering me a chance to pause and reflect as I go forward.